-Visible Evidence Revisited. Editor (together with Jane Roscoe, University of Brisbane, Australia) of Proceedings Visible Evidence VI, VII and VIII. University of Minnesota Press:Visible Evidence Series (forthcoming 2005).
-Televisiedrama: podium voor identiteit. Een onderzoek naar de relatie tussen omroepidentiteit en Nederlands televisiedrama 1969-1988. Amsterdam: Otto Cramwinckel, 1995.
-co-authored with Christopoulou, Nadina, Children making media: constructions of home and belonging. In: Knörr, J. and Nunes, A. (eds.), Childhood and Migration. Frankfurt am Main: Campus Verlag (forthcoming 2005)
-Mediating and Mediated Family Relations of Migrant Children. In: Pisters, P. and Staat, W. (eds), Shooting the Family. Amsterdam: AUP (forthcoming 2005).
-Pluralisme dans les productions populaires à la télévision hollandaise. In: P. Le Guern/J. Migozzi, Production(s) du populaire. Limoges: Presses Universitaire de Limoges, 2004.
-The Netherlands. Rutger Hauer. Jeroen Krabbé. Three entries in: Journeys of Desire- European Actors in Hollywood. Ed. by A. Phillips and G. Vincendeau. London/Paris: BFI (UK) and Champion-Slatkine (France), 2004.
-co-authored with Christopoulou, Nadina and De Leeuw, Sonja, Home is where the heart is. Family relations of migrant children in media clubs in six European countries. The European Commission, Community Research. Deliverables 11 and 12, February 2004.
-Hoe komen wij in beeld? Cultuurhistorische aspecten van de Nederlandse televisie. Utrecht: Faculteit der Letteren, 2003 (Oratie).
-De mythe in politieseries.. In: Het Nederlands Scenario. Russen nr. 41, 2002, 9-13.
-National Identity and Dutch Monarchy in Historical Fiction: Revisioning ‘the family on the throne’ .In Media History. Theories, Methods, Analysis. Ed. By N. Brügger and S. Kolstrup. Aarhus University Press, 2002, 175-193.
-More Comedy and Crime. Dutch TV Fiction in 2000. In: Buonanno, M. (red.) Eurofiction. Television Fiction in Europe. Strasbourg: European Audiovisual Observatory, 2001, 209-212.
-Television Drama: Narrative and Identity. Proceedings ISSEI 1998 Conference Twentieth Century European narratives: Tradition and Innovation. ISSEI Haifa University (on CD-Rom).
-Pluriformity, Quality and the Market. Dutch TV Fiction in 1999. Eurofiction. Television Fiction in Europe. Report 2000. European Audiovisual Observatory Strasbourg 2000, 155-168.
-Een gemeenschap van gevoel. Over de rol van televisie in het kanaliseren van collectieve ervaringen. In: Jaarboek Open Lucht Museum 1999. SUN, 1999, 240-269.
-De politieserie als graadmeter, of hoe multicultureeel is televisiedrama in Nederland? In: Sketch, jrg. 4, nr. 15, 1999, 12-19.
